Everyone has a cell phone with a great camera nowadays, and landscapes are a very popular thing to photograph. How do you stand out from the crowd? Learning landscape specific compositional rules will get your photos a cut above the others fast.
You’ve been hiking for 3 hours. The sun is just starting to set. The view is breathtaking. You take out your camera and snap a picture. Meh. It doesn’t look at all like it does in real life. There’s none of the majesty, the colors aren’t as vibrant, and the scene doesn’t look right.
Something like this has likely happened to you. Our eyes and our camera see the world differently. You cannot just point your camera at whatever looks beautiful to your eyes and get an exact replica of what you see. It requires more thought. You need to consider how your camera sees color, exposing the scene correctly, and lens focal length. Maybe you have those technical elements down. What’s left? Composition. Your eye may not need you to compose what you look at to see the beauty, but your camera does. Here’s how.
If the “land” in the landscape is interesting, it should take up more of the image (higher horizon placement). If the land is less interesting or the sky is more interesting, more of the photo should be sky (lower horizon placement). This aspect of landscapes is also connected to other compositional elements. The rule of thirds and balance must also be considered when choosing a horizon placement. Whether there is at all, or how much foreground interest exists also can affect horizon placement.
The horizon placement is very low because the land was mostly uninteresting. The horizon placement is also affected by balance.
Break up a landscape with interesting elements in the bottom third of the image. These elements should be much closer to you than whatever is behind them to create depth and draw the eye into the image. Leading lines can be used effectively with foreground interest to accentuate depth.
The texture and shape of the reeds in the foreground adds interest to the photo. Image also utilizes leading lines in the shoreline to draw the eye into the image.
When the focus of the landscape is something in the foreground, more of the image can be dedicated to it. Make sure to leave enough depth in the image when including more foreground.
The area with rocks and flowing water is of great interest and takes up more of the image, but there is still depth. The horizon is placed high in the image.
This can make for incredibly well-balanced photos but is difficult to find in nature. To be clear, you can have a balanced landscape photo without symmetry. A great way to create symmetry in your landscape photos is to look for reflections in still water. Another way to get symmetry in landscape photography is to zoom in. Symmetry is easier to find on a small scale.
Example of using still water to create symmetry.
This is not always true, but a landscape image with 5 or more planes is usually very compositionally interesting. A plane is an area of the image that appears to be closer or farther away than another part of the image. For example, the image below has 7 planes.
Try to find the point of view with the most planes that also follows other compositional rules.
Example image for planes.
Sometimes it’s better to get in close and keep your landscape images simple. Go the opposite direction of the rule of planes. Keep only part of the image in focus. Shoot the landscape like it wasn’t a landscape. Every shot of a landscape doesn’t need to be immense and grandiose. Try keeping it simple.
Framing is one of the general rules of composition and is important to keep in mind when thinking about photographing a landscape. Trees are often the best way to frame a landscape, but large rocks, mountains, and waterfalls are some other great landscape elements that can be effectively used.
Example of framing using trees. The trees on either side of the photo keep the eye engaged in the center of the photo, accentuating its depth.
Make sure that your image has a level horizon. It doesn’t matter how well composed the rest of the image is, because if it doesn’t have a level horizon, it will look wrong.
Example of a level horizon. Note that the tree line is bumpy, but the overall horizon is straight.
The rules of composition are tools in a toolbox. A screwdriver should not be used to hammer a nail, and likewise, you should apply the rules of composition where they make sense. Only practice will lead to knowing which tool to use and why you should use it, so get out there and take some pictures!
I hope you enjoyed the article! Let me know if it helped in the comments below!
These composition rules are at the heart of great photography. Understanding how they can be effectively followed (and broken) will make you a better photographer.